Paket Alat Recording 16 Channel

Paket Alat Recording 16 Channel

Product Code: Paket Alat Recording 16 Channel
Availability: In Stock
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Price: Rp58,238,000
 

Description

Paket Alat Recording 16 Channel

Paket Alat Recording Firewire 8 Channel,solusi hemat untuk aplikasi home recording 

Paket terdiri dari :

  • 1 Unit : Mixer Soundcard Presonus 16 Channel ( FireWire )
  • 1 Unit : PreAmp Focusrite
  • 1 Unit : Keyboard Kontroler Novation
  • 1 Unit : Microphone Recording Kondenser AKG
  • 1 Pair : Studio Monitor Genelec
  • 1 Lot : Kabel & Konektor
  • 1 Lot : Instalasi & Training

Mixer Soundcard Digital Presonus

8 mono mic/line channel inputs, each with:

·         High-headroom Class A XMAX™ mic preamplifier

·         XLR mic and balanced ¼" line inputs

·         60 mm precision fader
 

4 stereo line channel inputs, with:

·         High-headroom Class A XMAX™ mic preamplifier (Ch. 9, 11, 13, and 15)

·         XLR mic inputs (Ch. 9, 11, 13, and 15)

·         Balanced ¼" line inputs (Ch. 9-16)

·         Unbalanced RCA line inputs (Ch. 13-16)

·         60 mm precision fader (4 stereo)

·         4 Auxiliary buses (pre/post-fader send)
 

2 Internal FX buses

2 stereo 32-bit digital effects processors with customizable reverb and delay presets

Fat Channel signal processing on all channels and buses, with:

·         3-band semi-parametric EQ (individual band on/off)

·         Full-featured compressor

·         Standard downward expander

·         Limiter

·         Phase reverse (12 mic preamplifiers only)

·         Pan with dedicated 15-LED display

·         Stereo link for input channels and aux buses

·         High-pass filter
 

One 31-band stereo graphic EQ (on main outputs only)

16-in/16-out FireWire recording interface (24-bit/44.1 kHz and 48 kHz)

·         Compatible with most audio software via ASIO, Windows Audio, Core Audio


Scene store and recall

Settings can be copied among channels and buses and saved as user presets.

Software bundle for Mac® and Windows® includes:

·         PreSonus Studio One® Artist digital audio workstation

·         PreSonus Capture™ live-recording software

·         PreSonus Universal Control with Virtual StudioLive™ bidirectional mixer-control software

·         Free downloadable software from the Apple App Store provides wireless remote control, including:

o    PreSonus StudioLive Remote for iPad®

o    PreSonus QMix™ for iPhone® and iPod touch®


Lockout mode protects your settings from meddlers and accidents

MIDI Control Mode provides control over:

·         Scene and FX Preset recall

·         Main Volume, FXA, and FXB output levels

·         FXA and FXB assign/unassign to Mains


PreAmp Mic Recording Focusrite

Specifications

We always quote 'real world' performance figures (measured to the AES17 standard). Some companies choose to quote chipset performance, which is misleading.

Mic Input Response

·         Gain range = 0dB to 60dB in 10dB steps + 20 dB of variable gain

·         Input Impedance, variable as follows:

·         (Switched Impedance setting Equivalent Input Impedance at 1kHz)

·         Low = 600 Ohms

·         ISA110 = 1400 Ohms

·         Med = 2400 Ohms

·         High = 6800 Ohms

·         EIN (equivalent input noise) = -126dB measured at 60dB of gain with 150 Ohm terminating impedance and 22Hz/22kHz band-pass filter

·         Noise at main output with gain at unity (0dB) = -97dBu measured with a 22Hz/22kHz band-pass filter

·         Signal to noise ratio relative to max headroom (9dBu) = 106dB

·         THD at medium gain (30dB) = 0.0009% measured with a 1kHz -20dBu input signal and with a 22Hz/22kHz band-pass filter

·         Frequency response at minimum gain (0dB) = -0.5dB down at 10Hz and -3dB down at 125kHz

·         Frequency response at maximum gain (60dB) = -3dB down at 16Hz and -3dB down 118kHz

·         CMRR=98dB (Channel 1, 1kHz, maximum gain with +24 dBu input) 

·         Crosstalk Channel to Channel: with 10dB@1kHz input to chA, chB output =104dBrA. With 10dB@10kHz input to chA, chB output = 84dBrA

Line Input Response

·         Gain range = -20dB to +10dB in 10dB steps + 20 dB of variable gain

·         Input Impedance = 10k? from 10Hz to 200kHz

·         Noise at main output with gain at unity (0dB) = -96dBu measured with a 22Hz/22kHz band-pass filter

·         Signal to noise ratio relative to max headroom (24dBu)=120dB

·         Signal to noise ratio relative to 0dBFS (+22dBu) = 118dB

·         THD at unity gain (0dB) = 0.001% measured with a 0dBu input signal and with a 22Hz/22kHz band-pass filter

·         Frequency Response at unity gain (0dB) = -0.3dB down at 10Hz and -3dB down at 200kHz

Instrument Input Response

·         Gain range = 10dB to 40dB continuously variable

·         Input Impedance:

·         High = greater than1M

·         Low =greater than 300k

·         Noise at minimum gain (+10dB) = -92dBu measured with a 22Hz/22kHz band-pass filter

·         Noise at maximum gain (+40dB) = -62dBu measured with a 22Hz/22kHz band-pass filter

·         THD at minimum gain (+10dB) = 0.001% measured with a 10dBu input signal and with a 22Hz/22kHz band-pass filter

·         Frequency Response at 10dB gain with -10dB input = 10Hz-100kHz +/- 0.6dB

·         Frequency Response at 40dB gain with -40dB input = -2.5dB down at 10Hz and 0dB at 100kHz

High Pass Filter

·         Roll off = 18dB per octave 3 pole filter

·         Fixed Frequency 75Hz measured at the 3dB down point

Meters

·         Moving coil (MC) meter is factory calibrated to 0VU = +4dBu with 1kHz sinewave. With the VU Cal button pressed the meter can be adjusted on the rear panel to allow 0VU to equal +10dBu to +26dBu with the centre detent being equal to +22dBu.

·         Peak LED meters calibrated in the detent position for 0dBFS = +22dBu, calibration is adjustable on the rear panel to allow 0dBFS to equal +10dBu to +26dBu

·         Routing for MC and Peak1 meter is after the HPF, pre insert send or switched post insert return. Peak2 is always pre ADC channel 2, which can be fed by external input or Instrument input.

·         LED levels are as follows when peak calibration is set to center detent on the rear panel. (This is when using the internal ADC).

·         0 = +22dBu

·         -2 = +20dBu

·         -6 = +16dBu

·         -12 = +10dBu

·         -18 = +4dBu

·         -42 = -20dBu

FRONT AND REAR CONNECTIVITY

Analogue Channel Inputs:

·         Mic input: XLR x 1

·         Line input: XLR x 1 and TRS x1

·         Instrument input TRS Jack: XLR x 1

·         External ADC input: TRS Jack x 1

·         Return: TRS Jack x 1

Analogue Channel Outputs:

·         Send: TRS Jack x 1

·         Balanced line output: XLR x 1

·         DI output: XLR x 1

·         DI through: TS Jack x 1

Analogue Channel Additional I/O:

·         Cue mix left input: TRS Jack x 1

·         Cue mix right input: TRS Jack x 1

·         Headphones output: ¼” TRS Jack x 1

Weight

·         3.9kg

·         8.6Ibs

Dimensions

·         220mm (W) x 104mm (H) x 254 - 290mm (D - top to bottom)

·         8.66" (W) x 4.1" (H) x 10" - 11.4" (D - top to bottom)


Keyboard MIDI Controller Novation

Novation 49 SL Mk II 49-key USB MIDI Keyboard Controller Features:

  • 49-key Semi-weighted USB MIDI Controller and Control Surface
  • Puts a wealth of DAW and Virtual Instrument control under your fingertips
  • Vibrant LED display, LED rings, and illuminated buttons make it easy to work
  • Easily assign controls — and get feedback — with Automap 3 PRO software
  • Newly designed "Soft-feel" drumpads for expressive programming and triggering
  • Can be completely powered by USB, so you're free to take your sound mobile
  • Includes the Xcite+ bundle, so you can make music right away

Novation 49 SL MkII 49-key USB MIDI Keboard Controller Specifications:
  • 49 semi-weighted Fatar keys with aftertouch
  • 8 Encoders (Infinite Rotation) with touch-sensitivity and 11-segment LED rings
  • 8 Pots (270 Rotation) with touch sensitivity
  • 8 Sliders with touch-sensitivity 
  • 32 Buttons with integrated LEDs (37 in MIDI mode)
  • 8 soft feel Trigger pads
  • Xpression Pad
  • Xpression Stick
  • Touch-sensitive Speed Dial
  • General Automap Operation Buttons (Learn, View, Browser Groups, etc.)
  • Octave up/down buttons with LED indicator 
  • Data Port: 1 x USB (Win XP/Vista and Mac OSX - Not Class Compliant)
  • MIDI: MIDI1 IN, OUT and Thru, MIDI2OUT 
  • Sustain Pedal: 1 x 1/4 Jack Input 
  • Expression pedal: 1 x 1/4 Jack Input 
  • Power switch: Ext DC/USB (Can be completely USB powered)

  • Mic Recording Condensor AKG
  • THE CLASSIC C12 SOUND

    for recording of lead vocals and solo instruments in studio and on stage

    The C414 XLII multi-pattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. A peak hold LED displays even the shortest overload peaks. For live-sound applications and permanent installations, all controls can easily be disabled for trouble-free use.

    The C414 XLII version differs from the C414 XLS version in one major respect – the capsule. The C414 XLII's slight presence boost and impressive spatial reproduction are both similar to the legendary AKG C12 microphone from 1953.

    Sonic character of the famous AKG C12 delivers astounding sound quality for lead vocals and solo instruments

    Nine selectable polar patterns for the perfect setting for every application

    Three attenuation levels (-6/-12/-18dB) for close-up recording or high-output sources of up to 158dB SPL

    Three switchable different bass-cut filters to reduce wind noise, stage vibration or proximity effect

    Overload warning with audio peak hold LED to detect shortest audio peaks


    Monitor Recording Aktif Genelec

    The small Genelec 8020B has been designed for monitoring in difficult listening environments, particularly those compromised by lack of space.

    However, size is no handicap to performance as the 8020B two-way active monitoring system incorporates Genelec's acoustic design innovations to minimise all forms of distortion. 

    The 8020B has a die-cast aluminium Minimum Diffraction Enclosure (MDE™), which features relatively large internal volumes; softly curved edges and outstanding mechanical strength.

    As a result, the imaging accuracy and low frequency extension with such a compact enclosure are truly astounding.


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