Presonus Studiolive SL16.4.2

Presonus Studiolive SL16.4.2

Brand: Presonus
Product Code: Studiolive SL 16.4.2
Availability: In Stock
Qty:
Price: Rp28,500,000
 

Description

Presonus Studiolive SL16.4.2

OVERVIEW

More Than a Mixer—a Complete System

You'll never go back to an old-skool analog mixer once you've used StudioLive™. With its incredible signal-processing power on every channel, easy store and recall of every setting, and the ability to record it all with just two mouse clicks, you'll get spoiled fast! Easier to use, better sounding, and flawlessly integrated with state-of-the-art software, it delivers the most creative environment possible for both live performance and studio music production.

But StudioLive is not simply a mixer, it's a rapidly growing family of state-of-the-art, integrated hardware-software mixing and recording systems that deliver the features you need for live sound, live recording, and studio recording.

The StudioLive 16.4.2 is a great choice for those who want to mix smaller shows and worship services, and it's a great choice for small club systems, portable churches, small bands, corporate applications, educational institutions, and anywhere you want a rack-mount mixer. It's the perfect hardware core for a project studio.

Or daisy-chain two StudioLive 16.4.2s to form a 32x4x2 performance and recording console for mid-sized shows and events.

Here, in one device, are high-headroom XMAX™ microphone preamplifiers, a built-in FireWire recording and playback interface, more than 90 signal processors, a big library of DSP effects, 6 aux buses, 4 subgroups, extensive LED metering, mixer save and recall, channel-strip save/recall/copy/paste, talkback, and more.

Yet despite its many controls and features, it's compact, rack-mountable (14U), and easy to transport.

Build live mixes that glisten with clarity and detail—then record and enhance the performance with the power of StudioLive 16.4.2. Get creative in the studio. Build mixes, loops, sound effects, and more, then bring them out to your show and mix them with the live performance. Process channels using your favorite plug-ins and completely automate your entire performance.

That’s just the start. Control the StudioLive from your Mac, PC, or iPad®. Manage monitor mixes from an iPhone® or iPod touch®. Tune your system to the room and fix feedback problems with integrated Smaart Measurement Technology™.

StudioLive 16.4.2 revolutionizes music production, opening endless creative possibilities.


FEATURES

·         16 mic/line inputs with high-headroom Class A XMAX™ mic preamplifiers

·         4 subgroups

·         Stereo/mono main out

·         6 auxiliary mixes

·         32-in/18-out FireWire digital recording ­interface (24-bit/44.1 kHz and 48 kHz)

·         Studio One Artist Digital Audio Workstation software for Mac® and PC

·         Capture™ 1.1 recording software for Mac® and PC

·         StudioLive Remote mixer-control software for iPad® available free from Apple App Store

·         QMix™ aux-control software for iPhone® and iPod touch® available free from Apple App Store

·         Direct recording interface compatible with Logic®, Nuendo, Cubase, Sonar™, Digital Performer™, Ableton™ Live, and more

·         16 channel strips

·         Trim control with –20 to +20 dBV line/-15 to +65 dBu mic gain range (80dB!)

·         +48V phantom power switch for condenser microphones

·         FireWire Input Select

·         100 mm precision faders

·         Lighted Solo and Mute buttons

·         Access to Fat Channel functions

·         15-LED ladder metering + clip LED

·         Analog ¼" insert (rear panel)

·         4 subgroup buses, each with:

o    Solo

o    Mute

o    Access to Fat Channel functions (except high-pass filter and phase reverse)

·         6 aux sends, each with

o    Solo

o    Pre/post-fader send

o    Output-level control

o    Access to Fat Channel functions (except phase reverse)

o    Mix and Mix/Pan Fat Channel metering

o    Available sources:  Channels 1-16, FXA Return, FXB Return

·         2 internal effects sends, each with:

o    Mute

o    Pre/post-fader send

o    Output-level control

o    Access to Fat Channel (except phase reverse)

o    Effects-send Select for Fat Channel metering

o    Mix button for aux-bus mixing and Fat Channel metering

·         Master Section

o    Aux Input A and B

o    Level Control and Select (Fat Channel ­metering) switch

o    Access to all Fat Channel functions (except phase reverse)

o    Talkback System

§  Mic Level control

§  Output Select (   Aux 1-2, 3-4, 5-6, Main)

§  Talk button

§  Rear-panel XLR mic input with level control and continuous 48V phantom power

o    2 Track In

§  Level control

§  Tape Input to Mains button

§  FireWire source on/off

o    Solo Bus

§  Cue Mix volume control

§  PFL/AFL and Solo In Place (SIP) buttons

o    Monitor Bus

§  Headphone-output level control

§  Control-room monitor-level control

§  Solo Bus to Monitor button

§  Tape Input to Monitor button

§  Main L/R FireWire Return to Monitor button

§  Main Mix to Monitor button 

·         Fat Channel with rotary encoders:

o    Pan with dedicated 15-LED display

o    Stereo link for input channels, aux buses, and subgroups

o    Phase reverse (main channels only)

o    High-pass filter: 6 dB/oct., sweepable from Off to 1 kHz (main channels and aux's only)

o    4-band semi-parametric equalization

§  Low EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking

§  Low Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB, switchable 0.55/2.0 Q

§  High Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB, switchable 0.55/2.0 Q

§  High EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking

o    Gate: Threshold 0 to –84 dB; Rate: 2 to 0.05 sec

o    Compressor: Threshold -56 to 0 dB, Ratio 1:1 to 14:1, Attack 0.2 to 150 ms, Release 40 to 1000 ms, Makeup Gain 0 to 28 dB, Soft Knee switch, Auto Mode with 10 ms Attack and 150 ms Release

o    Limiter: 0 dBFS Threshold, ∞:1 Ratio

o    Output Assign: 4 subgroups and main with post-EQ/post-dynamics option

o    All settings can be copied among channels and saved as user presets.

o    50 channel-strip presets for drums, bass, guitars, keyboards, and vocals

·         2 internal digital effects-processors, each with 50 customizable reverb and delay presets

·         4 dual-mono (eight channels), 31-band graphic equalizers, each assigned to a specific bus: Main Left, Main Right, and Aux 1 through 6

·         Scene Store and Recall

o    Global Scene Storage: all current StudioLive settings

§  Up to 80 at a time

o    Automatic Global AutoStore

o    Individual channel-strip Scene storage

§  Up to 48 at a time, plus…

§  50 factory presets for instruments and vocal

o    Copy and Paste between channels

o    Customizable naming (for example, "Saturday Gig" or "Main Worship Service")

·         Lockout mode to keep inspired amateurs from changing your settings

·         Metering/Displays

o    16 x 16- LED Fat Channel matrix:

§  Pre-dynamics/pre-fader input

§  Post-dynamics/post-fader output

§  Gain reduction

§  Aux 1-6 and EFX A/B output

§  Fader-position recall

o    8 x 15-LED main meter bank

§  Selected channel level

§  Selected channel gain reduction

§  Sub buses 1 to 4

§  Main stereo outputs

o    15-LED horizontal Pan/Balance display

o    64 x 194 LCD matrix

§  Effects parameters

§  Scene creation, storage, and recall

§  System menus

o    2-digit Channel Selected display

·         Input/Output

o    16 main inputs, each with XLR mic, ¼" line, and ¼" inserts

o    2 ¼" stereo (L/R) aux inputs

o    1 XLR talkback-mic input with phantom power and level control

o    Unbalanced RCA stereo (L/R) tape inputs and outputs

o    XLR stereo (L/R) main outputs with level control

o    ¼" stereo (L/R) main outputs

o    XLR mono output with level control

o    ¼" stereo (L/R) control-room outputs

o    ¼" Headphone output

o    4 ¼" subgroup outputs

o    6  ¼" aux outputs

o    16 pre-insert, balanced direct outputs, Ch. 1-8 and 9-16 (DB25 sockets)

o    S/PDIF digital out

o    2 FireWire 400 ports

·         Digitalia

o    High-definition analog-to-digital converters (118 dB dynamic range)

o    Unlimited-headroom, 32-bit floating point, digital mixing and effects processing

o    Internal sample frequency 44.1 kHz and 48 kHz

·         Physical

o    Rugged, non-flex steel chassis

o    100 mm long-throw faders

o    Military-grade, quick-touch buttons

o    BNC 12V lamp socket

o    Optional dust covers available

·         Software bundle for Mac® and Windows® includes:

o    PreSonus Studio One® Artist digital audio workstation

o    PreSonus Capture™ live-recording software

o    PreSonus Universal Control with Virtual StudioLive™ bidirectional mixer-control software

o    Free downloadable software from the Apple App Store provides wireless remote control, including:

§  PreSonus StudioLive Remote for iPad®

§  PreSonus QMix™ for iPhone® and iPod touch®


SPECS

Computer system requirements:

Below are the minimum computer-system requirements for Virtual StudioLive.

Windows

·         Windows® Vista x64/x86 SP2, Windows 7 x64/x86 SP1, Windows 8 x64/x86

·         Intel® Core™ Duo or AMD Athlon™ X2 processor (Intel Core 2 Duo or AMD Athlon X4 or better recommended)

·         2 GB RAM (4 GB or more recommended)

Mac

·         Mac® OS X 10.6.8 or later

·         Intel Core Duo processor (Intel Core 2 Duo or Core i3 or better recommended)

·         2 GB RAM (4 GB or more recommended)

Windows and Mac Systems

·         PreSonus Universal Control 1.5.3 or later

·         IEEE 1394 FireWire 400 Port

·         Internet connection recommended

·         DVD-ROM drive

·         Internal or external 7200 RPM storage drive highly recommended

·         Monitor with 1024x768 resolution

The minimum system requirements may differ for DAWs other than Studio One. Please check the requirements for your DAW of choice with its manufacturer.

Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio or MIDI signals. Monitor resolution for both PC and Macintosh should be no lower than 1024x768 pixels.

Microphone Preamp 1-16 (XLR Balanced)

 

Type

XLR Female, Balanced

Frequency Response to Direct Output

20 Hz to 40 kHz ±0.5 dBu

Frequency Response to Main Output

20 Hz to 20 kHz ±0.5 dBu

Input Impedance (Balanced)

1 kΩ

THD to Direct Output

< 0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd

THD to Main Output

<0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd

EIN to Direct Output

+125 dB unwtd, +130 dB A-wtd

S/N Ratio to Direct Output

-97 dB

S/N Ratio to Main Output

-94 dB

Common Mode Rejection Ratio

+65 dB

Gain Control Range

-16 dB to +67 dB (± 1 dB)

Maximum Input Level (unity gain)

+16 dBu

Phantom Power

+48 VDC

Line Inputs

 

Type

¼" TRS Female, balanced mono

Frequency Response to Direct Outputs

10-40 kHz, 0 / -0.5 dBu

Frequency Response to Main Outputs

20-20 kHz, ±0.5 dBu

Input Impedance

10 kΩ

THD to Direct Output

<0.0007%, +4 dBu, 20-20 kHz, unity gain, unwtd

THD to Main Output

<0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd

S/N Ratio to Direct Output

-105 dB

S/N Ratio to Main Output

-94 dB

Gain Control Range (±1 dB)

-20 dB to +20 dB

Maximum Input level (unity gain)

+22 dBu

Tape Inputs

 

Type

¼" TRS Female, balanced mono

Maximum Input Level

+10 dBu

Auxiliary Inputs

 

Type

¼" TRS Female, balanced (2 stereo pairs)

Maximum Input Level

+22 dBu

Main Outputs

 

Type

Male, balanced (stereo pair); ¼" TRS Female, balanced (stereo pair); XLR Male, balanced  (mono)

Rated Output Level

+24 dBu

Output Impedance

100Ω

Aux Outputs

 

Type

¼" TRS Female, balanced (mono)

Rated Output Level

+18 dBu

Output Impedance

100Ω

Subgroup Outputs

 

Type

¼" TRS Female, balanced (mono)

Rated Output Level

+18 dBu

Output Impedance

100Ω

Tape Outputs

 

Type

RCA Female, unbalanced (stereo pair)

Rated Output Level

+18 dBu

Output Impedance

100Ω

Control Room Outputs

 

Type

¼" TRS Female, balanced (stereo pair)

Rated Output Level

+18 dBu

Output Impedance

100Ω

System Crosstalk

 

Input to Output

-90 dBu

Adjacent Channels

-87 dBu

Noise Gate / Expander

 

Threshold Range

-84 dB to 0 dB

Attack Time

0.5 ms

Release Time

0.05s to 2s

Expander Attenuation Range

2:1

Noise Gate Attenuation Range

Compressor

 

Threshold Range

-56 dB to 0 dB

Ratio

1:1 to 14:1

Attack Time

0.2 ms to 150 ms

Release Time

40 ms to 1000 ms

Auto Attack and Release

Attack = 10 ms, Release = 150 ms

Curve Types

hard and soft knee

EQ

 

Type

2nd-order shelving filter (Q = 0.55)

Low (Lowpass or Bandpass)

36 to 465 Hz, ±15 dB

Low Mid

90 Hz to 1.2 kHz, ±15 dB

High Mid

380 Hz to 5 kHz, ±15 dB

High (Highpass or Bandpass)

1.4 kHz to 18 kHz, ±15 dB

Digital Audio

 

ADC Dynamic Range (A-wtd, 48 kHz)

118 dB

DAC Dynamic Range (A-wtd, 48 kHz)

118 dB

FireWire

S400, 400 Mb/s

Internal Processing

32-bit, floating point

Sampling Rate

44.1, 48 kHz

A/D/A Bit Depth

24

Reference Level for 0 dBFS

-18 dBu

Clock

 

Jitter

<20 ps rms (20 Hz - 20 kHz)

Jitter Attenuation

>60 dB (1 ns in ≈ 1 ps out)

Power/Environmental

 

Connector

IEC

Input-Voltage Range

100 to 240V, 50-60 Hz

Power Requirements (continuous)

100W

Temperature Range

0-40 degrees Celsius

Physical

 

Length

22.35 inches (568.06 mm)

Width (chassis only)

17.22 inches (437.40 mm)

Width (with rack ears)

19 inches (482.60 mm)

Maximum Height

6.90 inches (175.26 mm)

Weight

23 lbs.

Please see complete mechanical drawings when building a custom rack, desk, or case.

As a commitment to constant improvement, PreSonus Audio Electronics, Inc., reserves the right to change any specification stated herein, at any time, without notification.

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